Cape, 1974.
A frequent -- okay, dominant -- point in our discussions here is how much second-hand bookselling -- one of the oldest and most stable if often most marginal of professions -- has changed in a handful of years. This book, which I picked up for reasons I cannot fathom, is yet another example. There aren't really very many copies around, yet there are more than anyone wants or needs. One wonders why, with a universe of literature available, anyone will ever want it.
Burgess wrote way too much, and little is likely to survive: A Clockwork Orange, of course; his two-volume autobiography; Nothing Like the Sun (at least for Shakespereans) and ... that's about it. Earthly Powers, the Malayan Trilogy and the Enderby novels have their fans, but the future only has time for masterpieces and those novels ain't it. Napoleon Symphony was attractively published by Cape in its prime but our interest in writers who extend "the possibilities of the novel still further" (jacket blurb) is severely limited these days.
Peter Harrington is asking $100 for a copy with the previous owner's initials. Argosy has a presentation copy for $60, which is more like it. Fine unsigned copies can be had for $20. I often read these books of Allan's, dragged into them by superior prose against my will. But I read the first page of this and decided to go no further.
Allan had this book for a while, I would guess. He did not price it but left in an old price of $40 -- a number, I imagine, that got attached to the book before Burgess' death in 1993, when he might come to town and sign or at least produce a new masterpiece that would drive up old values. No chance of that now, no chance at all.